Effects of stimulus duration on audio-visual synchrony perception

The integration of visual and auditory inputs in the human brain occurs only if the components are perceived in temporal proximity, that is, when the intermodal time difference falls within the so-called subjective synchrony range. We used the midpoint of this range to estimate the point of subjective simultaneity (PSS). We measured the PSS for audio-visual (AV) stimuli in a synchrony judgment task, in which subjects had to judge a given AV stimulus using three response categories (audio first, synchronous, video first). The relevant stimulus manipulation was the duration of the auditory and visual components. Results for unimodal auditory and visual stimuli have shown that the perceived onset shifts to relatively later positions with increasing stimulus duration. These unimodal shifts should be reflected in changing PSS values, when AV stimuli with different durations of the auditory and visual components are used. The results for 17 subjects showed indeed a significant shift of the PSS for different duration combinations of the stimulus components. Because the shifts were approximately equal for duration changes in either of the components, no net shift of the PSS was observed as long as the durations of the two components were equal. This result indicates the need to appropriately account for unimodal timing effects when quantifying intermodal synchrony perceptio

Sight and sound persistently out of synch: stable individual differences in audiovisual synchronisation revealed by implicit measures of lip-voice integration

Are sight and sound out of synch? Signs that they are have been dismissed for over two centuries as an artefact of attentional and response bias, to which traditional subjective methods are prone. To avoid such biases, we measured performance on objective tasks that depend implicitly on achieving good lip-synch. We measured the McGurk effect (in which incongruent lip-voice pairs evoke illusory phonemes), and also identification of degraded speech, while manipulating audiovisual asynchrony. Peak performance was found at an average auditory lag of ~100 ms, but this varied widely between individuals. Participants’ individual optimal asynchronies showed trait-like stability when the same task was re-tested one week later, but measures based on different tasks did not correlate. This discounts the possible influence of common biasing factors, suggesting instead that our different tasks probe different brain networks, each subject to their own intrinsic auditory and visual processing latencies. Our findings call for renewed interest in the biological causes and cognitive consequences of individual sensory asynchronies, leading potentially to fresh insights into the neural representation of sensory timing. A concrete implication is that speech comprehension might be enhanced, by first measuring each individual’s optimal asynchrony and then applying a compensatory auditory delay

Audiovisual synchrony and temporal order judgments : effects of experimental method and stimulus type

When an audio-visual event is perceived in the natural environment, a physical delay will always occur between the arrival of the leading visual component and that of the trailing auditory component. This natural timing relationship suggests that the point of subjective simultaneity (PSS) should occur at an auditory delay greater than or equal to 0 msec. A review of the literature suggests that PSS estimates derived from a temporal order judgment (TOJ) task differ from those derived from a synchrony judgment (SJ) task, with (unnatural) auditory-leading PSS values reported mainly for the TOJ task. We report data from two stimulus types that differed in terms of complexity—namely, (1) a flash and a click and (2) a bouncing ball and an impact sound. The same participants judged the temporal order and synchrony of both stimulus types, using three experimental methods: (1) a TOJ task with two response categories ( audio first or video first ), (2) an SJ task with two response categories ( synchronous or asynchronous ; SJ2), and (3) an SJ task with three response categories ( audio first, synchronous, or video first ; SJ3). Both stimulus types produced correlated PSS estimates with the SJ tasks, but the estimates from the TOJ procedure were uncorrelated with those obtained from the SJ tasks. These results suggest that the SJ task should be preferred over the TOJ task when the primary interest is in perceived audio-visual synchrony

Temporal order judgment criteria are affected by synchrony judgment sensitivity

Synchrony perception for audio–visual stimulus pairs is typically studied by using temporal order judgment (TOJ) or synchrony judgment (SJ) tasks. Research has shown that estimates of the point of subjective simultaneity (PSS) obtained using these two methods do not necessarily correspond. Here, we investigate the hypothesis that the PSS estimate obtained in a TOJ task is shifted in the direction of the most sensitive part of the synchrony judgment curve, as obtained in an SJ task. The results confirm that criterion shifts in the TOJ task move the PSS toward regions of the audio–visual temporal interval continuum where discriminations are most sensitive